Based on the original 1863 edition, this presentation of Goya's 80 etchings decries the consequences of war through his bleak, gruesome and unflinching imagery Following his tenure as court painter for the Spanish royal family, Francisco de Goya's art took on darker subjects and a more expressive style, especially during the Peninsular War (1808–14). Much can be gleaned from the fraught and visceral work of this period, including his series of etchings known as The Disasters of War. Concerned about the state of the world as much as his own failing health, Goya spent 10 years on what he personally titled Fatal Consequences of Spain's Bloody War with Bonaparte, and Other Emphatic Caprices. Starvation, sickness, looting, assault, torture, execution—each image confronts the shattered lives of everyday soldiers and civilians, accompanied by brief, ambiguous captions such as 'Y no hay remedio' ('And there is no remedy') and 'Yo lo vi' ('This I saw'). This clothbound book faithfully