Inbunden · Engelska · 604 sidor · 2024
- Format
- Inbunden
- Språk
- Engelska
- Omfång
- 604 sidor
- Förlag
- TASCHEN
- Utgiven
- 2024
Known for the audaciously simple but game-changing strategy of painting the motif on its head, Georg Baselitz has been a consistently challenging artist since the start of the 1960s. His work is always highly charged but surprisingly diverse, beginning with the raw, existential male figures famously removed from his first solo exhibition for indecency, and the series of “Heroes” that portrayed disabled and exposed figures in a destroyed landscape. During this development, the picture space became more and more fractured, and by the end of the decade the artist fully turned the world upside down: trees, factories, eagles, or nude self-portraits actually painted on their heads. This soon allowed him to freely paint and to engage with conceptual color schemes or off-beat themes, such as men eating oranges, Soviet propaganda paintings, or more recently so-called remixes in a reengagement with his own earlier work as a dialogue in time. Already a master of drawing, woodcut, and engraving,
Known for the audaciously simple but game-changing strategy of painting the motif on its head, Georg Baselitz has been a consistently challenging artist since the start of the 1960s. His work is always highly charged but surprisingly diverse, beginning with the raw, existential male figures famously removed from his first solo exhibition for indecency, and the series of “Heroes” that portrayed disabled and exposed figures in a destroyed landscape. During this development, the picture space became more and more fractured, and by the end of the decade the artist fully turned the world upside down: trees, factories, eagles, or nude self-portraits actually painted on their heads. This soon allowed him to freely paint and to engage with conceptual color schemes or off-beat themes, such as men eating oranges, Soviet propaganda paintings, or more recently so-called remixes in a reengagement with his own earlier work as a dialogue in time. Already a master of drawing, woodcut, and engraving,
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- 30 dagars öppet köp
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- Bokus Play · 5 % medlemsrabatt · fri frakt för medlemmar
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- 3.4 av 5 på Trustpilot (1 630 omdömen)
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- Frakt från 39 kr · fri frakt över 249 kr
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- Kort · Swish · Klarna · Faktura 30 dagar · Delbetalning
- Öppet köp
- 30 dagars öppet köp
- Omdöme
- 4.2 av 5 på Trustpilot (451 omdömen)
- Frakt
- Frakt från 29 kr · fri frakt över 249 kr
- Leverans
- 2-3 vardagar. Levereras hem, till ombud eller till paketskåp. Skickas med Budbee eller Instabox.
- Betalning
- Kort · Swish · Klarna · Faktura 30 dagar · Delbetalning
- Öppet köp
- 30 dagars öppet köp
- Medlemskap
- Bokus Play · 5 % medlemsrabatt · fri frakt för medlemmar
- Omdöme
- 3.4 av 5 på Trustpilot (1 630 omdömen)
Akademibokhandeln
1 319 kr
1 159 kr
- Frakt
- Frakt från 39 kr · fri frakt över 249 kr
- Leverans
- 2-4 vardagar. Levereras hem eller till ombud. Skickas med PostNord.
- Betalning
- Kort · Swish · Klarna · Faktura 30 dagar · Delbetalning
- Öppet köp
- 30 dagars öppet köp
- Omdöme
- 4.2 av 5 på Trustpilot (451 omdömen)
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Om boken
Known for the audaciously simple but game-changing strategy of painting the motif on its head, Georg Baselitz has been a consistently challenging artist since the start of the 1960s. His work is always highly charged but surprisingly diverse, beginning with the raw, existential male figures famously removed from his first solo exhibition for indecency, and the series of “Heroes” that portrayed disabled and exposed figures in a destroyed landscape. During this development, the picture space became more and more fractured, and by the end of the decade the artist fully turned the world upside down: trees, factories, eagles, or nude self-portraits actually painted on their heads. This soon allowed him to freely paint and to engage with conceptual color schemes or off-beat themes, such as men eating oranges, Soviet propaganda paintings, or more recently so-called remixes in a reengagement with his own earlier work as a dialogue in time. Already a master of drawing, woodcut, and engraving,
Known for the audaciously simple but game-changing strategy of painting the motif on its head, Georg Baselitz has been a consistently challenging artist since the start of the 1960s. His work is always highly charged but surprisingly diverse, beginning with the raw, existential male figures famously removed from his first solo exhibition for indecency, and the series of “Heroes” that portrayed disabled and exposed figures in a destroyed landscape. During this development, the picture space became more and more fractured, and by the end of the decade the artist fully turned the world upside down: trees, factories, eagles, or nude self-portraits actually painted on their heads. This soon allowed him to freely paint and to engage with conceptual color schemes or off-beat themes, such as men eating oranges, Soviet propaganda paintings, or more recently so-called remixes in a reengagement with his own earlier work as a dialogue in time. Already a master of drawing, woodcut, and engraving,
Bokfakta
Författare
Hans Werner Holzwarth
Förlag
TASCHEN
Utgivningsår
2024
Format
Inbunden
Sidantal
604
Språk
Engelska
ISBN
9783836599108
