Brice Marden: Works on Paper accompanies an exhibition at Gagosian Paris of rarely seen drawings and prints by the late painter, and includes an introductory text by art historian Eileen Costello. This book was published on the occasion of the exhibition Brice Marden: Works on Paper at Gagosian, rue de Ponthieu, Paris. Organized in collaboration with the Estate of Brice Marden, it featured previously unseen work from the artist’s final two decades, selected by his daughters Mirabelle Marden and Melia Marden, and paid tribute to Marden’s long ties to the city. This selection of works shows that, for Marden, drawing was as valuable as painting, and reveals his commitment to employing it in the abstract depiction of place. During a visit to Paris in 1964, the artist produced gridded monochrome works using charcoal rubbings of the tiled walls in the home where he stayed, and this graphic documentation of his surroundings constituted a significant intuitive leap. Also evident in Marden’s