In 1972, David Ackles s third album, American Gothic, was released to a flurry of press plaudits declaring it to be the Sgt Pepper of folk and one of the greatest records ever made. Yet the album, like its two predecessors, failed to sell, and after one more record, its creator simply vanished. He found work, raised a family, and died a couple of decades later, having never made another record. Today, Ackles s music is largely consigned to the streaming netherworld. It is yet to be properly repackaged and reappraised, and he remains largely unknown. But there is no middle ground. You either love him or you ve never heard of him. His admirers range from Black Flag s Greg Ginn to indie polymath Jim O Rourke to Genesis drummer turned platinum-selling solo artist Phil Collins. In 2003, when Elvis Costello interviewed Elton John for the first episode of his television show Spectacle, the two spoke at some length, and with palpable respect, about Ackles s great talent, before performing a