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Engelska · 323 sidor · 2012
The history of Soul music has been defined, first and foremost, by a succession of exceptional vocalists. It is impossible to conceive of the genre without them. This does not mean, however, that those who back singers, those who play instruments - bassists; drummers; guitarists; keyboardists; saxophonists - were reduced to nothing other than walk on parts. If Aretha Franklin and Otis Redding were able to move audiences, then their band members and arrangers, the likes of King Curtis and Booker T. Jones, played a key role in creating tracks that had commensurate emotional depth and technical ingenuity. These lesser known figures have heightened our listening pleasure. In Soul Unsung Kevin Le Gendre celebrates the contribution of players of instruments to soul. He analyses, in forensic detail, the inspiring creativity and imagination that several generations of musicians have brought to black pop, and highlights how they have broadened its sound canvas by adopting unusual stylistic approaches and embracing the latest available technology. Furthermore, the book offers insights into the state of contemporary soul and its relationship with jazz, rock and hip-hop.It is precisely because soul has not evolved in a vacuum that it has a canon that is enviably rich in variety. Soul Unsung shines a light on the plethora of mesmerising sounds that constitute this heritage and explains why they affect the listener as much as a great singer. Placing the focus squarely on the band, Le Gendre sets out to change perceptions of one of the great forms of expression to have marked popular culture in the 20th century, so that those who play are given, alongside those who sing, their rightful place in the pantheon of contemporary music.
The history of Soul music has been defined, first and foremost, by a succession of exceptional vocalists. It is impossible to conceive of the genre without them. This does not mean, however, that those who back singers, those who play instruments - bassists; drummers; guitarists; keyboardists; saxophonists - were reduced to nothing other than walk on parts. If Aretha Franklin and Otis Redding were able to move audiences, then their band members and arrangers, the likes of King Curtis and Booker T. Jones, played a key role in creating tracks that had commensurate emotional depth and technical ingenuity. These lesser known figures have heightened our listening pleasure. In Soul Unsung Kevin Le Gendre celebrates the contribution of players of instruments to soul. He analyses, in forensic detail, the inspiring creativity and imagination that several generations of musicians have brought to black pop, and highlights how they have broadened its sound canvas by adopting unusual stylistic approaches and embracing the latest available technology. Furthermore, the book offers insights into the state of contemporary soul and its relationship with jazz, rock and hip-hop.It is precisely because soul has not evolved in a vacuum that it has a canon that is enviably rich in variety. Soul Unsung shines a light on the plethora of mesmerising sounds that constitute this heritage and explains why they affect the listener as much as a great singer. Placing the focus squarely on the band, Le Gendre sets out to change perceptions of one of the great forms of expression to have marked popular culture in the 20th century, so that those who play are given, alongside those who sing, their rightful place in the pantheon of contemporary music.
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The history of Soul music has been defined, first and foremost, by a succession of exceptional vocalists. It is impossible to conceive of the genre without them. This does not mean, however, that those who back singers, those who play instruments - bassists; drummers; guitarists; keyboardists; saxophonists - were reduced to nothing other than walk on parts. If Aretha Franklin and Otis Redding were able to move audiences, then their band members and arrangers, the likes of King Curtis and Booker T. Jones, played a key role in creating tracks that had commensurate emotional depth and technical ingenuity. These lesser known figures have heightened our listening pleasure. In Soul Unsung Kevin Le Gendre celebrates the contribution of players of instruments to soul. He analyses, in forensic detail, the inspiring creativity and imagination that several generations of musicians have brought to black pop, and highlights how they have broadened its sound canvas by adopting unusual stylistic approaches and embracing the latest available technology. Furthermore, the book offers insights into the state of contemporary soul and its relationship with jazz, rock and hip-hop.It is precisely because soul has not evolved in a vacuum that it has a canon that is enviably rich in variety. Soul Unsung shines a light on the plethora of mesmerising sounds that constitute this heritage and explains why they affect the listener as much as a great singer. Placing the focus squarely on the band, Le Gendre sets out to change perceptions of one of the great forms of expression to have marked popular culture in the 20th century, so that those who play are given, alongside those who sing, their rightful place in the pantheon of contemporary music.
The history of Soul music has been defined, first and foremost, by a succession of exceptional vocalists. It is impossible to conceive of the genre without them. This does not mean, however, that those who back singers, those who play instruments - bassists; drummers; guitarists; keyboardists; saxophonists - were reduced to nothing other than walk on parts. If Aretha Franklin and Otis Redding were able to move audiences, then their band members and arrangers, the likes of King Curtis and Booker T. Jones, played a key role in creating tracks that had commensurate emotional depth and technical ingenuity. These lesser known figures have heightened our listening pleasure. In Soul Unsung Kevin Le Gendre celebrates the contribution of players of instruments to soul. He analyses, in forensic detail, the inspiring creativity and imagination that several generations of musicians have brought to black pop, and highlights how they have broadened its sound canvas by adopting unusual stylistic approaches and embracing the latest available technology. Furthermore, the book offers insights into the state of contemporary soul and its relationship with jazz, rock and hip-hop.It is precisely because soul has not evolved in a vacuum that it has a canon that is enviably rich in variety. Soul Unsung shines a light on the plethora of mesmerising sounds that constitute this heritage and explains why they affect the listener as much as a great singer. Placing the focus squarely on the band, Le Gendre sets out to change perceptions of one of the great forms of expression to have marked popular culture in the 20th century, so that those who play are given, alongside those who sing, their rightful place in the pantheon of contemporary music.
Författare
Kevin Le Gendre
Serie
Popular music history
Förlag
Equinox
Utgivningsår
2012
Sidantal
323
Språk
Engelska
Fysiska detaljer
illustrations
Dewey
781.64409
ISBN
9781845535438
Avvakta – priset är högt
Adlibris
97 kr dyrare
Rör sig ofta
Avvakta – priset är högt
Adlibris
97 kr dyrare
Rör sig ofta
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Det lägsta priset just nu är 422 kr hos Bokus, av 2 butiker vi jämför. Priser ändras löpande – kontrollera alltid slutpris och frakt hos butiken innan köp.
Priserna uppdateras automatiskt, vanligtvis minst en gång per dygn. Senaste registrerade uppdatering: 5 augusti 2026.
Varje butik sätter sitt eget pris och kör olika kampanjer, så samma bok kan kosta olika mycket. Sverige har fri prissättning på böcker – därför lönar det sig att jämföra, och här ser du priserna samlade på ett ställe.
Nej. Priset vi visar är butikens bokpris – fraktkostnad tillkommer och varierar mellan butiker (flera erbjuder fri frakt över en viss summa). Den slutliga fraktkostnaden ser du i butikens kassa innan du betalar.
Ja. Sätt en kostnadsfri prisbevakning så får du besked när priset faller. Du kan också följa prisutvecklingen i prishistoriken här på sidan.
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