Häftad · Engelska · 103 sidor · 2025
- Format
- Häftad
- Språk
- Engelska
- Omfång
- 103 sidor
- Utgiven
- 2025
Robert Altman’s Nashville (1975) is simultaneously an intimate film about interpersonal connection and disconnection, and a sprawling, meandering portrait of American societal exhaustion in the wake of Vietnam, Watergate and a spate of political assassinations. Despite its pessimistic, satirical viewpoint, the film suggests a carefully guarded optimism: ‘life may be a one-way street’, but one has no choice but to ‘keep a’ goin’. Heather Hendershot places Nashville in the context of the New Hollywood of the 1970s, which offered a post-censorship anti-hero, the perennial loser. Embracing the new pessimism, Altman’s work fits with those of contemporaries such as Martin Scorsese and Peter Bogdanovich, but it also stands apart for its innovative sound design, improvisatory drive, and loose genre commitments. Through a close reading of the five days over which the film takes place, Hendershot unpacks both its political dynamics and the characters’ interrelationships and motivations. She
Robert Altman’s Nashville (1975) is simultaneously an intimate film about interpersonal connection and disconnection, and a sprawling, meandering portrait of American societal exhaustion in the wake of Vietnam, Watergate and a spate of political assassinations. Despite its pessimistic, satirical viewpoint, the film suggests a carefully guarded optimism: ‘life may be a one-way street’, but one has no choice but to ‘keep a’ goin’. Heather Hendershot places Nashville in the context of the New Hollywood of the 1970s, which offered a post-censorship anti-hero, the perennial loser. Embracing the new pessimism, Altman’s work fits with those of contemporaries such as Martin Scorsese and Peter Bogdanovich, but it also stands apart for its innovative sound design, improvisatory drive, and loose genre commitments. Through a close reading of the five days over which the film takes place, Hendershot unpacks both its political dynamics and the characters’ interrelationships and motivations. She
Priser & butiker
Priser & butiker
1 butik · Häftad · lägsta pris först
Skriver du om boken på en blogg eller sajt? .
- Frakt
- Frakt från 35 kr · fri frakt över 249 kr
- Leverans
- 2-3 vardagar. Levereras hem eller till ombud. Skickas med Schenker eller Early Bird.
- Betalning
- Kort · Swish · Faktura 30 dagar · Delbetalning · Direktbank
- Öppet köp
- 30 dagars öppet köp
- Omdöme
- 3.8 av 5 på Trustpilot (10 195 omdömen)
Adlibris
168 kr
- Frakt
- Frakt från 35 kr · fri frakt över 249 kr
- Leverans
- 2-3 vardagar. Levereras hem eller till ombud. Skickas med Schenker eller Early Bird.
- Betalning
- Kort · Swish · Faktura 30 dagar · Delbetalning · Direktbank
- Öppet köp
- 30 dagars öppet köp
- Omdöme
- 3.8 av 5 på Trustpilot (10 195 omdömen)
Samma ISBN jämförs hos alla butiker — priserna gäller samma utgåva.
Annonslänkar: Booki kan få provision när du handlar via våra länkar. Det påverkar inte ditt pris. Externa länkar utan pris ingår inte i jämförelsen.
Annonslänkar: Booki kan få provision när du handlar via våra länkar. Det påverkar inte ditt pris. Externa länkar utan pris ingår inte i jämförelsen.
Håll koll på priset
Håll koll på priset
Väntar du på ett lägre pris?
Bevaka priset på denna utgåva av Nashville och få besked när det sjunker.
Spara den här boken
Logga in för att lägga till i din bokhylla, bevaka priset och recensera.
Om boken
Robert Altman’s Nashville (1975) is simultaneously an intimate film about interpersonal connection and disconnection, and a sprawling, meandering portrait of American societal exhaustion in the wake of Vietnam, Watergate and a spate of political assassinations. Despite its pessimistic, satirical viewpoint, the film suggests a carefully guarded optimism: ‘life may be a one-way street’, but one has no choice but to ‘keep a’ goin’. Heather Hendershot places Nashville in the context of the New Hollywood of the 1970s, which offered a post-censorship anti-hero, the perennial loser. Embracing the new pessimism, Altman’s work fits with those of contemporaries such as Martin Scorsese and Peter Bogdanovich, but it also stands apart for its innovative sound design, improvisatory drive, and loose genre commitments. Through a close reading of the five days over which the film takes place, Hendershot unpacks both its political dynamics and the characters’ interrelationships and motivations. She
Robert Altman’s Nashville (1975) is simultaneously an intimate film about interpersonal connection and disconnection, and a sprawling, meandering portrait of American societal exhaustion in the wake of Vietnam, Watergate and a spate of political assassinations. Despite its pessimistic, satirical viewpoint, the film suggests a carefully guarded optimism: ‘life may be a one-way street’, but one has no choice but to ‘keep a’ goin’. Heather Hendershot places Nashville in the context of the New Hollywood of the 1970s, which offered a post-censorship anti-hero, the perennial loser. Embracing the new pessimism, Altman’s work fits with those of contemporaries such as Martin Scorsese and Peter Bogdanovich, but it also stands apart for its innovative sound design, improvisatory drive, and loose genre commitments. Through a close reading of the five days over which the film takes place, Hendershot unpacks both its political dynamics and the characters’ interrelationships and motivations. She
Bokfakta
Författare
Heather Hendershot
Serie
BFI film classics
Förlag
The British Film Institute
Utgivningsår
2025
Format
Häftad
Sidantal
103
Språk
Engelska
Fysiska detaljer
illustrations
Dewey
791.4372
ISBN
9781839028946
Medverkande
Författare
Heather Hendershot
