A CLASSIC 1930s COMIC STRIP: The New Yorker's first art editor satirizes the petit bourgeoisie in these stylishly eccentric cartoons with echoes of Cheever and Wodehouse. Rea Irvin was The New Yorker's first art editor and creator of the magazine's iconic mascot, the butterfly enthusiast Eustace Tilly. In 1930, he ventured into new territory with the comic strip The Smythes. The Smythes--comprised of John, Margie, and their two forgettable children, Willie and Maudie--are a niceish suburban family, restless in their social stature, and eager to climb a sometimes wobbly social ladder (a ladder made even wobblier by the Great Depression). Irvin's distinct, graceful line renders the Smythes in all their glory and hilarity as they navigate ill-fated dinner parties with pompous socialites, fend off robbers dressed as Santa, and get chased out of restaurants by cleaver-wielding chefs. With flavors of the upper-crust humor of Wodehouse and the suburban surrealism of Cheever, The Smythes