Beauty belongs to no one. But what about the objects that museums celebrate as great works of art: to whom do they belong? Do they belong to the places where they originated? To the cultures whose genius they embody? To the enlightened collectors who saw their value and appropriated them? Or to the whole of humanity which has access to them through institutions dedicated to their preservation? And if the latter, how can we justify the fact that some people are able to enjoy what is supposed to be a universally shared heritage while others cannot? We can begin to answer these questions, argues Bénédicte Savoy, by examining how these objects actually came to be with us and what their journeys reveal about our history and its violence and asymmetries, both symbolic and real. These objects have no doubt left their mark on the places where they arrived; they have also left wounds that are still raw in the places from which they came. The bust of Nefertiti, the Great Pergamon Altar, The