Häftad · Engelska · 363 sidor · 2017
Audiovisual culture often privileges the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet order and clarity do not come ''naturally'' to the moving image. Light, motion, definition, compression: the conditions of recording, storing and screening can subject audiovisual media to countless variations, pulling them towards the indefinite and illegible. Filmmakers and artists often seek out and work with the resulting uncertainty, from the warping of space to the melding of senses, from glare to shadow and blur to glitch. This collection concerns itself with the aesthetics, concepts and politics of indefinite and obscured moving images, examining what is at stake in their foregrounding of materiality and mediation, evanescence and fluxPursuing a range of approaches (spanning history, theory and close analysis), the authors in this volume investigate techniques, effects and themes that emerge from the wilful excavation of the moving image''s formal and material base. Format Häftad Omfång 384 sidor Språk Engelska Förlag Edinburgh University Press Utgivningsdatum 2017-07-18 ISBN 9781474407144
Audiovisual culture often privileges the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet order and clarity do not come ''naturally'' to the moving image. Light, motion, definition, compression: the conditions of recording, storing and screening can subject audiovisual media to countless variations, pulling them towards the indefinite and illegible. Filmmakers and artists often seek out and work with the resulting uncertainty, from the warping of space to the melding of senses, from glare to shadow and blur to glitch. This collection concerns itself with the aesthetics, concepts and politics of indefinite and obscured moving images, examining what is at stake in their foregrounding of materiality and mediation, evanescence and fluxPursuing a range of approaches (spanning history, theory and close analysis), the authors in this volume investigate techniques, effects and themes that emerge from the wilful excavation of the moving image''s formal and material base. Format Häftad Omfång 384 sidor Språk Engelska Förlag Edinburgh University Press Utgivningsdatum 2017-07-18 ISBN 9781474407144
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Audiovisual culture often privileges the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet order and clarity do not come ''naturally'' to the moving image. Light, motion, definition, compression: the conditions of recording, storing and screening can subject audiovisual media to countless variations, pulling them towards the indefinite and illegible. Filmmakers and artists often seek out and work with the resulting uncertainty, from the warping of space to the melding of senses, from glare to shadow and blur to glitch. This collection concerns itself with the aesthetics, concepts and politics of indefinite and obscured moving images, examining what is at stake in their foregrounding of materiality and mediation, evanescence and fluxPursuing a range of approaches (spanning history, theory and close analysis), the authors in this volume investigate techniques, effects and themes that emerge from the wilful excavation of the moving image''s formal and material base. Format Häftad Omfång 384 sidor Språk Engelska Förlag Edinburgh University Press Utgivningsdatum 2017-07-18 ISBN 9781474407144
Audiovisual culture often privileges the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet order and clarity do not come ''naturally'' to the moving image. Light, motion, definition, compression: the conditions of recording, storing and screening can subject audiovisual media to countless variations, pulling them towards the indefinite and illegible. Filmmakers and artists often seek out and work with the resulting uncertainty, from the warping of space to the melding of senses, from glare to shadow and blur to glitch. This collection concerns itself with the aesthetics, concepts and politics of indefinite and obscured moving images, examining what is at stake in their foregrounding of materiality and mediation, evanescence and fluxPursuing a range of approaches (spanning history, theory and close analysis), the authors in this volume investigate techniques, effects and themes that emerge from the wilful excavation of the moving image''s formal and material base. Format Häftad Omfång 384 sidor Språk Engelska Förlag Edinburgh University Press Utgivningsdatum 2017-07-18 ISBN 9781474407144
Serie
Edinburgh studies in film and intermediality
Förlag
Edinburgh University Press
Utgivningsår
2017
Format
Häftad
Sidantal
363
Språk
Engelska
Fysiska detaljer
illustrations
Dewey
791.43
ISBN
9781474407144
Redaktör
Martine Beugnet, Allan Cameron, Arild Fetveit
Stabilt pris
Som normalt
Sällan rea
Stabilt pris
Som normalt
Sällan rea
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