After centuries of colonial rule, the end of Angola's three-decade civil war in 2002 provided an irresistible opportunity for the government to reimagine the Luanda cityscape. Awash with petrodollars cultivated through strategic foreign relationships, President Jose Eduardo dos Santos rolled out a national reconstruction program that sought to transform Angola's capital into what he considered to be a modern, world-class metropolis. Until funds dried up in 2014, the program—in conjunction with sweeping private investments in real estate—involved mass demolitions of vernacular architecture to make way for high-rise buildings, large-scale housing projects, and commercial centers. The program thus underestimated the values enshrined in the materials and designs of Luanda's existing ''informally'' constructed neighborhoods, or musseques. The Aesthetics of Belonging explores the political significance of aesthetics in the remaking of the city. Claudia Gastrow's archival and ethnographic