These seven essays by noted historian Caroline Walker Bynum exemplify her argument that historians must write in a 'comic' mode, aware of history's artifice, risks, and incompletion. Exploring a diverse array of medieval texts, the essays show how women were able to appropriate dominant social symbols in ways that revised and undercut them, allowing their own creative and religious voices to emerge. Taken together, they provide a model of how to account for gender in studying medieval texts and offer a new interpretation of the role of asceticism and mysticism in Christianity. In the first three essays, Bynum focuses on the methodological problems inherent in the writing of history. She shows that a consideration of medieval texts written by women and the rituals attractive to them undermines the approaches of three 20th-century intellectual figures-Victor Turner, Max Weber, and Leo Steinberg-and illustrates how other disciplines can enrich historical research. These methodological