Engelska · 409 sidor · 2026
- Språk
- Engelska
- Omfång
- 409 sidor
- Förlag
- Harvard University Press
- Utgiven
- 2026
A new perspective on ancient Athens at the height of its powers, reinterpreting the city’s supposed “Golden Age” as a period of ruinous culture wars. The age of Pericles, in the fifth century BC, is often described as the Golden Age of Athens. The city witnessed a flowering of philosophy, art, and architecture—including an ambitious building program, with the Parthenon its centerpiece. But as David Stuttard shows in this vivid account, the seemingly triumphant city was in fact riven by conflict and contradiction. Though nominally a democracy, Athens led a tyrannical empire. And for Pericles and his circle, the Parthenon was less a holy place than a propaganda vehicle. Its sculptures carried the message that Athenians, beloved by the gods, were nearly divine in their own right—which to many Greeks smacked of hubris. As long as things went well, Athenian democracy appeared to prosper. But just a year after the Parthenon was finished, Athens was at war with Sparta; a plague killed a
A new perspective on ancient Athens at the height of its powers, reinterpreting the city’s supposed “Golden Age” as a period of ruinous culture wars. The age of Pericles, in the fifth century BC, is often described as the Golden Age of Athens. The city witnessed a flowering of philosophy, art, and architecture—including an ambitious building program, with the Parthenon its centerpiece. But as David Stuttard shows in this vivid account, the seemingly triumphant city was in fact riven by conflict and contradiction. Though nominally a democracy, Athens led a tyrannical empire. And for Pericles and his circle, the Parthenon was less a holy place than a propaganda vehicle. Its sculptures carried the message that Athenians, beloved by the gods, were nearly divine in their own right—which to many Greeks smacked of hubris. As long as things went well, Athenian democracy appeared to prosper. But just a year after the Parthenon was finished, Athens was at war with Sparta; a plague killed a
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- 30 dagars öppet köp
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- Bokus Play · 5 % medlemsrabatt · fri frakt för medlemmar
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- 3.4 av 5 på Trustpilot (1 634 omdömen)
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- Frakt från 35 kr · fri frakt över 249 kr
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- 2-3 vardagar. Levereras hem eller till ombud. Skickas med Schenker eller Early Bird.
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- Kort · Swish · Faktura 30 dagar · Delbetalning · Direktbank
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- 30 dagars öppet köp
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- 3.8 av 5 på Trustpilot (10 195 omdömen)
- Frakt
- Frakt från 39 kr · fri frakt över 249 kr
- Leverans
- 2-4 vardagar. Levereras hem eller till ombud. Skickas med PostNord.
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- Kort · Swish · Klarna · Faktura 30 dagar · Delbetalning
- Öppet köp
- 30 dagars öppet köp
- Omdöme
- 4.2 av 5 på Trustpilot (452 omdömen)
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A new perspective on ancient Athens at the height of its powers, reinterpreting the city’s supposed “Golden Age” as a period of ruinous culture wars. The age of Pericles, in the fifth century BC, is often described as the Golden Age of Athens. The city witnessed a flowering of philosophy, art, and architecture—including an ambitious building program, with the Parthenon its centerpiece. But as David Stuttard shows in this vivid account, the seemingly triumphant city was in fact riven by conflict and contradiction. Though nominally a democracy, Athens led a tyrannical empire. And for Pericles and his circle, the Parthenon was less a holy place than a propaganda vehicle. Its sculptures carried the message that Athenians, beloved by the gods, were nearly divine in their own right—which to many Greeks smacked of hubris. As long as things went well, Athenian democracy appeared to prosper. But just a year after the Parthenon was finished, Athens was at war with Sparta; a plague killed a
A new perspective on ancient Athens at the height of its powers, reinterpreting the city’s supposed “Golden Age” as a period of ruinous culture wars. The age of Pericles, in the fifth century BC, is often described as the Golden Age of Athens. The city witnessed a flowering of philosophy, art, and architecture—including an ambitious building program, with the Parthenon its centerpiece. But as David Stuttard shows in this vivid account, the seemingly triumphant city was in fact riven by conflict and contradiction. Though nominally a democracy, Athens led a tyrannical empire. And for Pericles and his circle, the Parthenon was less a holy place than a propaganda vehicle. Its sculptures carried the message that Athenians, beloved by the gods, were nearly divine in their own right—which to many Greeks smacked of hubris. As long as things went well, Athenian democracy appeared to prosper. But just a year after the Parthenon was finished, Athens was at war with Sparta; a plague killed a
Bokfakta
Författare
David Stuttard
Förlag
Harvard University Press
Utgivningsår
2026
Sidantal
409
Språk
Engelska
ISBN
9780674258471


