Chilco is the name of Pascale’s home island. It is also the Mapudungun word for fuchsia: a word that evokes tropical lushness and the deep greenness of the forest. Pascale's partner, Marina, grew up in the vertical slums of Capital City, a place scarred by centuries of colonialism and now the ravages of feckless developers. Every day the couple fear a sinkhole will open up and take with it another poor neighborhood, another raft of refugees from the hinterlands: the indigenous, the poor, who are toiling for an all-consuming machine that is devouring the earth from beneath their feet. When they finally flee the collapsing city to live in Chilco, are they escaping centuries of colonial repression or merely stepping into a twisted new version of it? From her first days in this place Marina can’t avoid the feeling that everything is decaying around her - there is a smell of putrefaction in the air that no one except her can detect; there are seismic rifts that the political cruelties of