Häftad · Engelska · 248 sidor · 2025
A fresh, groundbreaking analysis of renowned Renaissance architect Leon Battista Alberti s five built works, suggesting a new relationship of form to meaning. Much has been written about Renaissance architect Leon Battista Alberti s mantra of part-to-whole as one of the continuing conditions of architecture. While this underlying thesis has oft been repeated in the annals of architectural history and theory, architects have rarely questioned the idea. In Rewriting Alberti, architect Peter Eisenman suggests, however, that Alberti provoked a radical discourse beyond the part-to-whole dialogue featured in his Ten Books. Eisenman s in-depth analysis of Alberti s five built works reveals a disjunction between the architect s buildings and theoretical writings, suggesting a new relationship of form to meaning based on the fragmentation of homogeneous space. Rewriting Alberti includes contributions by Pier Vittorio Aureli, Mario Carpo, and Daniel Sherer. Carpo, an architectural historian and critic, theorizes that Alberti s work initiated an idea of the discipline as a notational system akin to contemporary computational logics. By way of comparison, Sherer, an architectural historian, reconsiders critic Manfredo Tafuri s readings of Alberti, and architect and theorist Aureli draws on Alberti to propose another idea of the architectural project. Here, in one book are four different discourses (and more than 60 drawings) which look back at the origins of architectural signs and semiology and forward to understand the way that history informs architecture today.
A fresh, groundbreaking analysis of renowned Renaissance architect Leon Battista Alberti s five built works, suggesting a new relationship of form to meaning. Much has been written about Renaissance architect Leon Battista Alberti s mantra of part-to-whole as one of the continuing conditions of architecture. While this underlying thesis has oft been repeated in the annals of architectural history and theory, architects have rarely questioned the idea. In Rewriting Alberti, architect Peter Eisenman suggests, however, that Alberti provoked a radical discourse beyond the part-to-whole dialogue featured in his Ten Books. Eisenman s in-depth analysis of Alberti s five built works reveals a disjunction between the architect s buildings and theoretical writings, suggesting a new relationship of form to meaning based on the fragmentation of homogeneous space. Rewriting Alberti includes contributions by Pier Vittorio Aureli, Mario Carpo, and Daniel Sherer. Carpo, an architectural historian and critic, theorizes that Alberti s work initiated an idea of the discipline as a notational system akin to contemporary computational logics. By way of comparison, Sherer, an architectural historian, reconsiders critic Manfredo Tafuri s readings of Alberti, and architect and theorist Aureli draws on Alberti to propose another idea of the architectural project. Here, in one book are four different discourses (and more than 60 drawings) which look back at the origins of architectural signs and semiology and forward to understand the way that history informs architecture today.
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A fresh, groundbreaking analysis of renowned Renaissance architect Leon Battista Alberti s five built works, suggesting a new relationship of form to meaning. Much has been written about Renaissance architect Leon Battista Alberti s mantra of part-to-whole as one of the continuing conditions of architecture. While this underlying thesis has oft been repeated in the annals of architectural history and theory, architects have rarely questioned the idea. In Rewriting Alberti, architect Peter Eisenman suggests, however, that Alberti provoked a radical discourse beyond the part-to-whole dialogue featured in his Ten Books. Eisenman s in-depth analysis of Alberti s five built works reveals a disjunction between the architect s buildings and theoretical writings, suggesting a new relationship of form to meaning based on the fragmentation of homogeneous space. Rewriting Alberti includes contributions by Pier Vittorio Aureli, Mario Carpo, and Daniel Sherer. Carpo, an architectural historian and critic, theorizes that Alberti s work initiated an idea of the discipline as a notational system akin to contemporary computational logics. By way of comparison, Sherer, an architectural historian, reconsiders critic Manfredo Tafuri s readings of Alberti, and architect and theorist Aureli draws on Alberti to propose another idea of the architectural project. Here, in one book are four different discourses (and more than 60 drawings) which look back at the origins of architectural signs and semiology and forward to understand the way that history informs architecture today.
A fresh, groundbreaking analysis of renowned Renaissance architect Leon Battista Alberti s five built works, suggesting a new relationship of form to meaning. Much has been written about Renaissance architect Leon Battista Alberti s mantra of part-to-whole as one of the continuing conditions of architecture. While this underlying thesis has oft been repeated in the annals of architectural history and theory, architects have rarely questioned the idea. In Rewriting Alberti, architect Peter Eisenman suggests, however, that Alberti provoked a radical discourse beyond the part-to-whole dialogue featured in his Ten Books. Eisenman s in-depth analysis of Alberti s five built works reveals a disjunction between the architect s buildings and theoretical writings, suggesting a new relationship of form to meaning based on the fragmentation of homogeneous space. Rewriting Alberti includes contributions by Pier Vittorio Aureli, Mario Carpo, and Daniel Sherer. Carpo, an architectural historian and critic, theorizes that Alberti s work initiated an idea of the discipline as a notational system akin to contemporary computational logics. By way of comparison, Sherer, an architectural historian, reconsiders critic Manfredo Tafuri s readings of Alberti, and architect and theorist Aureli draws on Alberti to propose another idea of the architectural project. Here, in one book are four different discourses (and more than 60 drawings) which look back at the origins of architectural signs and semiology and forward to understand the way that history informs architecture today.
Författare
Peter Eisenman
Förlag
MIT Press
Utgivningsår
2025
Format
Häftad
Sidantal
248
Språk
Engelska
ISBN
9780262553711
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Det lägsta priset just nu är 306 kr hos Adlibris, av 4 butiker vi jämför. Priser ändras löpande – kontrollera alltid slutpris och frakt hos butiken innan köp.
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Det lägsta priset just nu är 306 kr hos Adlibris, av 4 butiker vi jämför. Priser ändras löpande – kontrollera alltid slutpris och frakt hos butiken innan köp.
Priserna uppdateras automatiskt, vanligtvis minst en gång per dygn. Senaste registrerade uppdatering: 15 september 2026.
Varje butik sätter sitt eget pris och kör olika kampanjer, så samma bok kan kosta olika mycket. Sverige har fri prissättning på böcker – därför lönar det sig att jämföra, och här ser du priserna samlade på ett ställe.
Nej. Priset vi visar är butikens bokpris – fraktkostnad tillkommer och varierar mellan butiker (flera erbjuder fri frakt över en viss summa). Den slutliga fraktkostnaden ser du i butikens kassa innan du betalar.
Ja. Sätt en kostnadsfri prisbevakning så får du besked när priset faller. Du kan också följa prisutvecklingen i prishistoriken här på sidan.
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