Julia Kristeva’s dazzling fictional debut is an intellectual adventure, full of vitality, sensuousness, and sustained lyricism. Reminiscent of The Mandarins, Simone de Beauvoir’s 1954 masterpiece, The Samurai brilliantly reconstructs a pivotal era of postwar French history—Paris in the late 1960s—and at the same time records the political disillusionment and ferment of a generation. In a brisk narrative spanning three continents, the novel follows an array of passionate and promiscuous intellectual warriors—the “samurai” for whom “writing is the only lasting act of pleasure and war combined.” Readers will recognize finely sketched and often searing portraits of figures such as Lacan, Derrida, Barthes, Althusser, and many others. With an authorial voice that modulates between the erotic and the meditative, the ironic and the rancorous, The Samurai moves from Paris to Mao’s China—where revolutionary idealism collides with cold pragmatism—to New York and back to Paris. Over a twenty-five