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Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other. The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson’s performance in The Jazz Singer, the zither in The Third Man, Godard’s patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion
Stabilt pris
Som normalt
Sällan rea
Författare
Michel Chion
Redaktör
Claudia Gorbman
Författare
Michel Chion
Serie
Film and culture
Förlag
Columbia University Press
Utgivningsår
2021
Format
Häftad
Sidantal
380
Språk
Engelska
Originaltitel
La musique au cinéma. (franska)
Fysiska detaljer
noter
Dewey
781.54209
ISBN
9780231198899
Inga erbjudanden tillgängliga just nu.
Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other. The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson’s performance in The Jazz Singer, the zither in The Third Man, Godard’s patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion
Stabilt pris
Som normalt
Sällan rea
Författare
Michel Chion
Redaktör
Claudia Gorbman
Författare
Michel Chion
Serie
Film and culture
Förlag
Columbia University Press
Utgivningsår
2021
Format
Häftad
Sidantal
380
Språk
Engelska
Originaltitel
La musique au cinéma. (franska)
Fysiska detaljer
noter
Dewey
781.54209
ISBN
9780231198899
ISBN 9780231198899 jämförs hos alla butiker
Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other. The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson’s performance in The Jazz Singer, the zither in The Third Man, Godard’s patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion
Stabilt pris
Som normalt
Sällan rea
Författare
Michel Chion
Serie
Film and culture
Förlag
Columbia University Press
Utgivningsår
2021
Format
Häftad
Sidantal
380
Språk
Engelska
ISBN
9780231198899
